One of the most common struggles for writers, myself included, is creating an ending that delivers a WOW factor. A good ending leaves a feeling of resolve.
But delivering a wow ending . . . what’s the secret? Picture book author Dev Petty said it best when she tweeted this: 
(She also says lots of other wise things and gives great writing tips if you follow her on twitter, FYI.) I couldn’t agree more. The best endings leave me thinking about a book looong after I’ve closed the covers. In a previous post, CRAFTING STAND OUT PICTURE BOOKS: A REVISION CHECKLIST, I challenge picture book creators to ask themselves: DOES THE STORY FEEL RESOLVED? -Was it logical but surprising? -Are we satisfied? In this blog, I’ll expand on these questions by studying picture books that deliver a W.O.W. ending. I have a method for studying picture books from the lens of a creator, but for this blog, I'm going to zoom in on the endings. How do they make us wonder? How do they outdo our expectations? How do they wrap us in all the feels? Of course, I'm never one to ruin a good surprise. So I won't actually be sharing the endings. No spoiler alerts here! But I will share a glimpse leading up to the ending and follow up with my reaction as a reader. 
Wonder:
How do you end a book by creating a beginning? How can you ingnite, within the reader, a curiosity to explore more? A sense of wonder? If you haven't experienced BLUE, from Laura Vaccaro Seeger, you need to! I use the word experience purposefully because this book is a true work of art. As with all her books, the illustrations are stunning. You want to touch each page, each cut out, and you pore over each artistic detail time and time again. I rarely read one of her books with my mouth shut because I am full of wonder the entire time. How did she do this? How will she create a spread as magical as the last one? What will be on the next page? This book is a companion to the award winning GREEN, and it is wonderful! Especially the ending. You are invited into this special relationship between a boy and his dog as they grow up together. In the end, your heart will break. But it will also heal. And you are left with an overwhelming feeling of hope. And wonder. What will be his next chapter? 
(c) Laura Vaccaro Seeger, 2018, from BLUE (Roaring Brook Press/Macmillan)
Outdoing Our (the reader's) Expectations:
You've crafted the perfect resolution. It's sweet. It's silly. It's meant to be.
It's . . . totally expected. Ugh. How can you surprise the reader? How can you deliver a twist that's logical, yet totally unexpected? How can you outdo yourself?
I previously tweeted this list of picture books that surprised me in the best ways. They made me giggle. Or gasp. Or guffaw!
Another book that outdid my expectations at the end was Dan Santat's AFTER THE FALL. This book tells the story of what happens after Humpty Dumpty falls off the wall and how he finds the courage to climb back up again. The story resolves beautifully, and then the very end is so unexpected, yet logical, that it's mind-blowing. Of course this is how it should end! How has no one thought of this before? How can *I* do something like this?! Wrap Us In All The Feels
It is a very special thing when you connect to a book. When this connection happens, that's what brings me back to a book time and time, again. I've not only read the book, I felt it. I related to the struggle. I cheered for the main character. I was part of the journey. And when that journey comes to a resolution that's heartwarming, deserving, and wraps me in strong feelings---that's a wow ending. When this happens, I literally will hug the book, knowing it's just made it's place onto my bookshelf and into my heart.
(c) Annie Silvestro and Paola Zakimi, 2018, from THE CHRISTMAS TREE WHO LOVED TRAINS (Harper/HarperCollins Publishers)
This book ends with the happily ever after that, we, as very invested readers, *needed* to happen, but then the very last spread wraps us in a feeling that's warm. And wonderful. And WOW. Smile-lingering, heartwarming, wow.
Now, it's your turn!
Check out the ending of your work in progress. Does it check the list? Will make us wonder? Will it outdo our expectations? Will it wrap us in all the feels? Your W.O.W. ending is waiting for you, wishing, willing you to write it.
Will you? ✨
Happy Writing! -Katrina 
Katrina Moore writes and teaches in New Jersey. Earning her M.A. in elementary education, she has been a teacher for almost a decade in Maryland, Massachusetts, and New York. Her mission is to create books that children will hug for ages. Her debut picture book, ONE HUG, illustrated by the talented Julia Woolf, is a lyrical celebration of the different ways that hugs bring people together, forthcoming from HarperCollins/Katherine Tegen Books in 2019. The book follows an Asian-American boy as he and his family prepare to welcome their immigrant relatives. Her second picture book,GRANDPA GRUMPS, illustrated by the amazing Xindi Yan, is a humorous and heartfelt story featuring a little girl, Daisy, and how she connects with her Chinese grandfather across cultures and generations, forthcoming from Little Bee Books in 2020. When she is not teaching elementary kids or writing, she is cooking without a recipe, painting outside the lines, or snuggling up with her two kids, husband, pomapoo pup, and of course, a cozy book. Connect with her on twitter @kmoorebooks or at www.katrinamoorebooks.com.
10 Comments
By Katrina Moore Before I’m ready to send a manuscript to my agent, and even to critique partners, I go through rounds of self-revision. Over time, I’ve found myself asking the same questions over and over again (and asking the same questions to my critique partners when giving them feedback on their work), so I’ve compiled the questions into a revision checklist for myself. And now... I’m sharing it with you! Because I keep learning. And growing. And nothing helps me to learn more or grow faster than sharing what I’ve learned along the way. In this post, you’ll find essential questions to ask yourself as you revise your manuscript to make it the best that it can be. I’ve also included an example for each checkpoint using recently released (within the past 3 years), stellar picture books. Without further ado...here's the checklist: PICTURE BOOK REVISION CHECKLIST: 1) WHAT’S YOUR BOOK REALLY ABOUT? Write out the pitch. -What’s at the heart of this story? -What do I want this story to do? (Use this as a guide for revision)
  2) IS YOUR CHARACTER FULLY DEVELOPED? -Is this someone a kid can relate to? -Is there depth? -Why are we rooting for the main character? Interview your character and ask all sorts of questions. This is to inform YOU even though most of it won’t make it into the text. The better you know your character the better you’ll write your character, the more your character will feel real and we’ll care about your character. Example: Check out the first spread of JULIÁN IS A MERMAID by Jessica Love. In very few words, we know so much about Julián and we care about him. We’re immediately connected to his relationship with his abuela. Think about how much is not written in this text, but was necessary for the author to know in order to create such a powerful opening and introduction to the characters.  (c) Jessica Love, 2018, from Julian Is A Mermaid (Candlewick Press) 3) IS YOUR STORY TIGHT? Go through the story sentence by sentence, word by word. -Is this word/sentence serving the story? -Is it driving the plot? -Is it adding to character development? If the answer is no—cut! Example: Kelly DiPucchio and Greg Pizzoli’s DRAGON WAS TERRIBLE opens with:  “Dragon was terrible. Naturally, dragons have a bit of terrible in them because they’re dragons after all. But THIS dragon here? Super terrible.”  (c) Kelly DiPucchio and Greg Pizzoli, 2016, from Dragon Was Terrible (FSG BFYR)  The first sentence here introduces us to the character and sets up the plot. Every word following this first sentence carries weight in establishing the narrative voice of the book, and also drives the plot by creating more tension. It engages what we already “know”—dragons are terrible. But this character is going to be even more terrible than those dragons we already know? Oh boy. As a reader, I’m eager to find out how bad this character is and what shenanigans he causes. How can he be that terrible?! See how she hooks us in with exactly the right words? 4) IS THIS PACED FOR A PICTURE BOOK? Paginate it (12 or 15 spreads). -Where do you envision the page turns? -Does it end at a surprising moment? -Are we holding our breath? -Is there tension and build up? Here’s what it looks like when I lay out a picture book: Example: Check out this spread from Ame Dyckman and Scott Magoon’s MISUNDERSTOOD SHARK:
 What is Shark’s excuse? I’m curious to find out. I am holding my breath. And I’m wondering, Will I believe him? I have to turn the page to find out. Since there is a literal pause that takes place when a picture book is being read aloud and the page turns, it’s beneficial to maximize the effect of those page turns. 5) DOES THE STORY FEEL RESOLVED? -Was it logical but surprising? -Are we satisfied? Example: In BOATS WITH PAPA by Jessixa Bagley, Buckley carves beautiful boats and sends them out to sea in hopes that they reach his papa, who he misses very much. I won’t give away the ending, because it’s so beautiful and you have to check it out for yourself. It feels inevitable—you know it’s coming, and yet, there's still a twist that's so heartwarming it brings me to tears everytime I read it (which at this point, is close to 100 times, if not more). 6) IS IT MARKETABLE? -What are the recent comparable titles? -How is yours fresh from these? -Why would a kid love this book? -What are the universal truths/emotions/themes that readers will connect with? (these should be in and match the pitch) Example: Check out BACK TO SCHOOL WITH BIGFOOT by Samantha Berger and Martha Brockenbrough, Illustrated by Dave Pressler.  It takes a familiar theme, starting school jitters, and makes it fresh (and funny) by making it about Bigfoot, which is a high interest, intriguing subject for kids (and adults). How does Bigfoot feel about starting school? What would he worry about? There’s tons of kid appeal here! (*More on the marketability of your picture book in this post.) Now it’s your turn! Does your picture book check the list? Happy writing and revising! ✨ -Katrina  Katrina Moore writes and teaches in New Jersey, outside Philadelphia. Earning her M.A. in elementary education, she has been a teacher for almost a decade in Maryland, Massachusetts, and New York. Her mission is to create books that children will hug for ages. Her debut picture book, ONE HUG, illustrated by the talented Julia Woolf, is a lyrical celebration of the different ways that hugs bring people together, forthcoming from HarperCollins/Katherine Tegen Books in 2019. The book follows an Asian-American boy as he and his family prepare to welcome their immigrant relatives.When she is not teaching elementary kids or writing, she is cooking without a recipe, painting outside the lines, or snuggling up with her two kids, husband, pomapoo pup, and of course, a cozy book. Connect with her on twitter @kmoorebooks or at www.katrinamoorebooks.com.
|
AuthorKatrina Moore writes for all, teaches many, and raises two young children. She holds an M.A. in elementary education. She's the author of ONE HUG, GRANDPA GRUMPS, SOMETIMES LOVE (Penguin/Dial, '22), and the forthcoming chapter book series, TEENY HOUDINI (HarperCollins/Tegen, '22), and more. Connect with her on twitter! Archives
June 2020
Categories
All
|
RSS Feed